Given these qualities there is no doubt that the book can and Seeks to deepen knowledge as it engages the reader in a thought provoking Of literature and performance in all ramifications. It is a melting point a vaudeville a pot-pourri Nevertheless, the fact that theatre and drama occur within and between audience andĪlong this line of reasoning, it is worth noting the fact that the landscape of Nigeria's One-to-one correspondence between the dramatic text and the performance. Michael Etherton has made the point that drama has a dual existence because itĬonfigures as both literature and performance. Indeed we also applaud the extreme patience and support of So those whose articles have made it shouldĬount themselves fortunate and we are indeed grateful for all who showed interest toīe a part of this project. To de-select some because we did not want a voluminous book and partly because weĭid not want just any kind of article. Having received many articles, we had to painfully struggle Literary to the performative as we honour one the greatest scholar of our time-įurther to this, what we have here in this festschrift now turns out to be much more Thus what we have come up with is a theatre, film and art discourse from the Practical knowledge and engagement of the respective contributors in the variousįield. Evidentially, these articles evolved from theoretical as well as Theatre and drama, not excluding, of course, discourses from the parlance of film and Together an episteme from a collection of scholarly articles that dwell on Nigeria's In fact, it has been incubating for some time now. Needless to say, this festschrift has been long in coming to fruition. We are particularly fascinated and glad to edit this festschrift in honour of Professor
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